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Sept 22,2025 5 min read

Sept 22,2025 5 min read

Sept 22,2025 5 min read

Beyond The Classics: Why Your Grad Photos Should Tell Your Real College Story

Don't get me wrong, I love a good Tech Tower shot. Those stairs, that iconic green space, the classic campus sign - they're popular for a reason. Every Georgia Tech graduate should have at least one photo in front of these spots to immortalize your time in college and have pictures for a solid LinkedIn post.

But here's what I've learned after hundreds of graduation sessions: the photos that people treasure most aren't the ones that look exactly like everyone else's. They're the ones that capture their actual college experience, in the places that meant something to them personally.

Everyone Wants the Same Five Shots

Walk around campus on any weekend close to graduation and you'll see the same scene playing out over and over. People lined up waiting for their turn at the campus sign. Groups clustering around the green to wait for the stairs. Everyone hoping to catch a glimpse of the Ramblin' Wreck and snag some photos if it stops.

These spots are iconic for good reason, and we absolutely include them in every session. But when your entire photo gallery is just you standing in the exact same locations as thousands of other graduates, what story does that tell about your unique experience at Georgia Tech?

What Makes Your Story Different?

Here's where the magic happens: when I ask clients about their college experience beyond the obvious landmarks. What was your major building like? Did you have a favorite study spot? Any places on campus that hold special memories?

The answers always surprise me. I had one client who specifically wanted a photo on the library stairs because her mom helped build that library. Suddenly, what could have been just another campus shot became a meaningful connection between generations.

Another time, a group of architecture students took me through their design studio where they'd spent countless late nights working on projects. We ended up getting this hilarious photo of all of them "napping" at their desks, which perfectly captured their studio culture.

Real Stories, Real Photos

Let me tell you about a few shoots that show what I mean:

The Architecture Group: This close-knit friend group had been through studios together for years. Instead of just shooting them in generic campus locations, we went to their actual design building and into their studio space. That napping photo I mentioned? It came naturally because we were in their environment, surrounded by their work and memories. They got to share stories about late-night design sessions and critique culture, and those stories shaped how I framed every shot.

The Manufacturing Engineer: We could have just done the standard cap and gown photos, but instead we went into his welding and manufacturing shop. He brought his welding helmet and we had fun setting up shots of him "working" on his graduation cap. The variety of machines and industrial elements gave us so many creative possibilities, and his comfort in that environment made him look completely confident and natural.

Sorority Tailgaiting: These girls always went to Cypress on game days, so that's where we started the shoot. Getting photos of them ordering drinks and laughing at their usual table helped them loosen up completely. By the time we moved to other locations, they were already comfortable and having fun, which showed in every single photo.

Why This Approach Changes Everything

When we shoot in places that are meaningful to you, I notice you become a completely different person in front of the camera. You're no longer just posing for photos - you're sharing your world with me. You get to play tour guide for a moment, telling me stories about late-night library sessions, favorite professors, projects you loved (or hated), and the places where you met some of your most important people.

How you tell those stories directly influences how I approach every shot. If you're talking about stressful all-nighters, I might go for moodier lighting and more serious expressions. If you're laughing about good times with friends, I'm capturing that joy and energy. Your authentic self comes out in these spots because you're not performing - you're just being you in places where you've always been you.

The Practical Benefits Are Huge Too

Beyond the emotional connection, there are real practical advantages to shooting at varied locations:

No waiting around: While everyone else is lined up waiting for the Tech Tower stairs to clear, we're getting amazing shots at spots with no crowds.

Better variety: When you get your gallery back, it feels like you did multiple photo shoots instead of just one, especially if we add an outfit change between locations.

Interesting elements: Your major building probably has unique architecture, lighting, or design elements that we can use creatively.

Different audiences: Some photos are perfect for mom and grandma (yes, we still get those classic shots). Others are specifically for your friends and your own scrapbook. The variety means everyone gets photos that speak to them.

Better editing opportunities: Shooting in different lighting situations throughout campus means I can vary my editing style to match the mood of each location, giving you a more diverse final gallery.

How We Make It Happen

I start with a questionnaire to get a sense of what you're looking for, then we have a conversation about your Georgia Tech experience. I often create a mood board or share a Pinterest board to help us get on the same page about the vision.

I always make sure we hit the classic spots because I know what parents expect, but the bulk of our time is spent in places that matter to you. When planning our route, I think about timing and light - spring evenings we might start at your major building and end at Tech Tower for golden hour, fall sessions often work in reverse.

I had one client who insisted they didn't want to wear their cap for most of the shoot, so we only included it in a couple shots. But when I delivered the final gallery, their mom asked if there were more graduation cap photos I could send. That's why I always make sure we get both - the photos you want and the photos your family expects.

Almost Every Shoot Discovers Something New

The best part of this approach is that almost every single session takes me somewhere new on campus. Everyone has such a unique story and connection to different places. I love finding locations I haven't shot in before or discovering new ways to use the incredible architecture around campus.

One client brought a bench made by the company they were about to join. Another brought their childhood stuffed animal. I've incorporated everything from Budweiser cans (the unofficial Georgia Tech beer) to welding gear to newspapers with painted words. These props and locations aren't just random - they're pieces of your story.

What This Really Means

At the end of the day, graduation photos aren't just about documenting that you graduated. They're about celebrating who you became during your time at Georgia Tech and honoring the experiences that shaped you. When we shoot in meaningful locations around campus, we're not just taking pictures - we're helping you reflect on and celebrate your journey.

Those photos become more than just graduation pictures. They become a visual story of your college experience that you'll look back on for decades. Instead of seeing generic campus shots, you'll see the library where you pulled all-nighters, the studio where you created your best work, the spot where you met your best friends.

That's what makes a graduation session with me different. We're not just capturing you in a cap and gown - we're capturing your story, in the places where it actually happened.

Your Georgia Tech experience was unique. Your graduation photos should be too.

Hi! I'm Hannah Fralick

I blend observational and lifestyle photography to capture those authentic, in-between moments that tell your real story. I'm obsessed with light and how it can transform a moment into something timeless.

Photography, travel, and drawing aren’t just passions—they’re ways I interpret the world, notice patterns, and gather inspiration that constantly feeds back into my design work and personal growth.

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